STAMPA


Lohengrin / König Heinrich, Teatro Real, MADRID, 2014

“Goran Jurić gibt einen stimmstarken König Heinrich, […] hohe Autorität austrahlend.”

Klaus Billand, Der Neue Merker

“Goran Jurić es un bajo croata con estudios no solo musicales, sino también vinculados a la literatura y a la lengua italiana. Ha trabajado con directores de primera fila como Zanetti, Muti o Armiliato y su Rey Heinrich desborda calidez vocal y majestad soberana.”

Alicia Perris, OperaClick

“El Rey Henrich, está interpretado por Goran Jurić, me gustó mucho la voz de este bajo croata, que cumple sobradamente, con mucho volumen, bello timbre y estupenda presencia escénica, su voz es grande, traspasa la orquesta, y está muy correcto en lo vocal. En lo actoral, también está muy bien, dotando de mucha distinción a su personaje, como se requiere para interpretar a un rey.”

Jonathan Fernandez, Desde la Platea

“Roi fier, Goran Jurić évoque un véritable leader charismatique, pas si loin de Don Giovanni.”

Fomalhaut Blog
Il trovatore / Ferrando, Bayerische Staatsoper, MÜNCHEN, 2013

“Eine begrüßenswerte Änderung […] gab es bei der Rolle des Ferrando: Goran Jurić überzeugte vollkommen, mit seinem kernigen Bass ebenso wie darstellerisch.”

Der neue Merker
Messiah, Cankarjev dom, LJUBLJANA, 2013

“S suverenim nastopom sta prepričala [...] in hrvaški basist Goran Jurić; [...] Jurić z zglajenim zvenom bas-baritonista, solidnim volumnom in prožnostjo, zmožno obvladovanja še tako nerodne kromatike, kot jo je srečati pri ariji The people that walked in darkness.”

Stanislav Koblar, Pogledi
Parsifal / Titurel, Bayerische Staatsoper, MÜNCHEN, 2013

“...den prächtig singenden Titurel von Goran Jurić möchte man in nicht allzu ferner Zukunft auch einmal als Gurnemanz erleben.”

Ludwig Steinbach, Der Opernfreund

NDR Podium der Jungen, FRANKFURT, HAMBURG, 2012

“Quicklebendig jedoch war der 29-jährige kroatische Bass Goran Jurić. Im gleichen Alter wie einst der Komponist der 'Entführung', sang er Osmins grimmige Arie 'Solche hergelaufne Laffen' und ergänzte sie mit der Drohung 'Erst geköpft, dann gehangen'. Vergnüglich brachte er Marcels martialisches Lied 'Pif, paf, pouf' aus Meyerbeers 'Huguenots' zu Gehör. Seinen besten Auftritt hatte er als Fiesco aus Verdis 'Simon Boccanegra'. Mit in allen Registern tragendem Bass und grandioser, voller Tiefe brachte er die 'gequälte Seele eines trauernden Vaters' und dessen finstere Männlichkeit zum Ausdruck.”

Eva Schumann, Die Offenbach-Post

“Der kroatische Bass beeindruckt seine Hörer mit dunklen Farben und maskulin-kernigen Klang.”

Markus Stäbler, Hamburger Abendblatt
Tannhäuser / Biterolf, Bayerische Staatsoper, MÜNCHEN, 2012

“Gut gefiel der markant und stimmstark singende Goran Jurić in der Rolle des Biterolf.”

Ludwig Steinbach, Der Opernfreund
La Bohème / Colline, Bayerische Staatsoper, MÜNCHEN, 2011, 2012, 2013

“...bas-baritonul Goran Jurić a adus, în Colline, o voce excelent condusă, caldă şi bogată...”

Anca Florea, Actualitatea Muzicală

“...the stand-out charisma of Goran Jurić as the philosopher Colline...”

Mark Brooks, MusicalCriticism.com

“...der Bass Goran Jurić als Colline, bei dessen Mantelarie einem regelrecht warm ums Herz wurde, weil so innig und sanft gesungen.”

Jakobine Kempkens, Der Neue Merker

Don Giovanni / Il Commendatore, Teatro La Fenice, VENEZIA, 2011

“Buono è risultato il Commendatore di Goran Jurić, che brilla soprattutto nell'ottava grave.”

Alessandro Cammarano, Opera Click

“Non appare sul cavallo da fondo scena il convitato di pietra - ma in una bara prima, poi sul proscenio - ci fa ugualmente tremare il Commendatore di Goran Jurić”

Orsala Bollettini, Corriere del Veneto

“Goran Jurić [...] istaknuo se golemim glasom tople boje i promišljene glume i muzikalnosti […] Jurićev je voluminozni glas u dvama dramaturški ključnim trenucima na početku i na kraju opere posebno odzvanjao punokrvnim intenzitetom u jednoj od najboljih opernih akustika na svijetu. To je prepoznala i publika, odavši mu počast na kraju […] Sudeći po venecijanskom nastupu, pred njim je velika karijera.”

Jana Haluza, Vijenac
Nabucco / Il Gran Sacerdote di Belo, Teatro dell'Opera, ROMA, 2011

“Twenty-eight-year-old Croatian bass Goran Jurić offered a rare blend of incisive diction and legato smoothness as the High Priest...”

Opera News, a publication of The Metropolitan Opera Guild

“In particolare Goran Jurić si è distinto per la figura scenica e la chiarezza della dizione.”

Francesco Giudiceandrea, GBOPERA MAGAZINE

“Apprezzabile prestazione di Goran Jurić ne Il Gran Sacerdote di Belo, voce brunita e sonora.”

Dario Ascoli, Oltrecultura

Concorso internazionale „Iris Adami Corradetti“, Padova, 2010

“Regarding the talents…Goran Juric, a Croatian bass, who enchanted the audience and the jury with a dark timbre and an excellent technique, was the winner of the finals; we are firmly convinced that this is the first step towards a great career.”

Davide Garattini, L'Opera, December 2010

“Regarding Goran Juric, it appears to me that he has all the prerequisites to build a wonderful career. Of course, he has the voice and musicality, but also the depth, the knowledge of several foreign languages and, which is not unimportant, an attractive appearance. This is very important for the performing artist.”

Marija Baribieri, Kulisa.eu – magazine for culture and performing arts, July 2010

Die Zauberflöte / Sarastro, Croatian National Theatre, Osijek, 2010

“He captures the attention with an impeccable technique, timbre and thunder of his voice and a powerful presence, the young bass Goran Juric, student of voice at the Academy of Music in Zagreb, in the role of High Priest Sarastro.”

Ivan Trojan, Kulisa.eu – magazine for culture and performing arts, April 2010

“Ovations for the young student Goran Juric in the role of Sarastro. The Osijek audience was captivated at first sight and he was rewarded not only with a well-deserved standing ovation, but also with sighs that escaped many. The young bass – who does not even need forecasts for the bright future, because this is guaranteed - filled the stage with his voice (and physical presence) even when at the far-end of the podium.”

Narcisa Bošnjak, Glas Slavonije (Osijek, Croatia), March 2010
Koncert „Na dobrom putu", Bošnjački institut, Sarajevo, 2010

“Za mladog basa Jurića koji je apsolutno otkriće, vjerujemo da će se ubrzo čuti diljem opernih i koncertnih podija širom svijeta.”

Krunoslav Cigoj, Veleposlanstvo RH u BiH, službene stranice, 16. lipnja 2009